Szell and Christie

 

The famous Hungarian George Szell

Had a reputation of being a swell,

When provoked by the audience

He couldn’t care ten cents,

Around he would turn and give ’em hell…

 A different kettle of fish

Was Christie. With nary a swish

He turned any choir

Into one to admire,

Fulfilling thus everyone’s wish-

 

Alsop and Ozawa

Marin Alsop, among these strutting males,

Is a great talent who never fails

To bring out the best

And at her behest

The Baltimore is reaching the grails.

 

Seiji Ozawa comes from the Far East

A worthy heir, to say the least,

Of Boston’s best.

His was a quest

To  make sure-

.that the public left pleased.

Rattle and Beecham

And then there’s curly old Rattle

Who was faced in Berlin with a battle.

The flautist a rumor?

We’ll take it with humour-

Let’s assume it was only some prattle.

 

The London Philharmonic’s Beecham

Would over and over beseech them,

And a super adagio

Without any bravaccio

He was finally able to teach them.

 

Woods and Klemperer

The Proms’ old favourite, Woods,

Never failed to deliver the goods.

With Mozart and Strauss

He brought down the house.

He knew all the musts and shoulds.

 

I want to do Klemperer Otto.

“Play it slower” was obviously his  motto.

It took the spark

Right out of Mozart’s art.

You can tell he’s a bit staid from his photo.

 

 

 

 

Munch and Boult

Charles Munch was another who soared
And was everywhere greatly adored.
Schubert and Mozart
Played a major part
Of his extensive classical repertoire.

Sir Adrian Boult was a Brit
At whose concerts everyone would sit
As if in a trance
And given a chance
They would have stormed the orchestra pit-